Our Story

Handmade in Lahore, rooted in Urdu letterforms.

Every Remtem piece starts as a hand-carved printing block and ends as something you'll actually use — not something that sits behind glass.

How We Started

From a rooftop in Anarkali to your desk.

Remtem began on a rooftop off Anarkali Bazaar, where our founder started carving Urdu letterforms into printing blocks between architecture classes. What began as a stack of hand-pressed Haroof notebooks made for friends slowly turned into requests, then orders, then a proper studio — first one printing table, then three, then a small crew of block-printers, stitchers and letterers.

"Haroof" is the Urdu word for letters, and it's stayed the name of our very first collection — individual Urdu characters carved as standalone block prints, one letterform at a time. It set the tone for everything that came after: designs pulled directly from Nastaliq calligraphy, not filtered through a Western idea of what "South Asian" is supposed to look like.

Six years on, the process hasn't really changed. We still carve our own blocks, mix our own ink, and press every sheet of kraft paper by hand — which is slower than a factory run, and exactly the point.

Remtem founder hand-carving a wooden printing block in the Lahore studio
Behind Every Cover

How it's made.

1 Artisan carving a Haroof letterform into a wooden printing block

Carve the block

Each letterform is hand-carved in reverse into a wooden block — a single Haroof character can take a full day to get right.

2 Mixing water-based ink by hand in small batches

Mix the ink

Ink is mixed in small batches from natural pigment, adjusted by eye until it's close enough to the last run — never identical.

3 Hand-pressing an inked block onto kraft paper

Press by hand

Every sheet of kraft paper is pressed one at a time, by hand, with even pressure and a fair bit of patience.

4 Freshly printed sheets air-drying before binding

Dry & trim

Sheets air-dry overnight before covers are trimmed, folded and bound into the notebooks that reach your desk.

What We Stand For

The things we don't compromise on.

Handmade

No two covers print exactly alike. We treat the slight variation as part of the object, not a flaw to correct.

Culturally rooted

Our designs draw directly from Urdu script and Nastaliq calligraphy — a living tradition, not a decorative reference.

Sustainable

Kraft paper, natural ink, and small production runs mean less waste and no overproduction sitting in a warehouse.

Inside the Studio

A look behind the scenes.

Ready to write on paper someone actually made?

Browse the Haroof notebooks, pocket diaries and sketch pads that started it all.

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